Alciati, Emblemata, 1542 (A1r)

Chrestian Wechsel's printer's device is here fittingly shown on the title page of his edition of Alciati's Emblemata, which he printed in close conversation with the author. The device is adapted from the emblem "Virtuti Fortuna comes" or "Good fortune attendant on virtue."

Alciati, Emblemata, 1542 (B3v)

The border on this emblem woodblock is broken along the top edge, perhaps because the woodcut was damaged. This emblem served as the basis for the printer's device used in this book and passed down through the Wechel family.

Alciati, Emblemata, 1542 (D5r)

Printed a decade after Alciati's collection of emblems first appeared, this Parisian edition looks very similar to the first: a motto, a picture, and a brief verse. This emblem, "Against Astrologers," warns against the hubris of trying to use the stars to predict the future, unless they fall just as Icarus did for having dared to come too close to God's realm.

Apian, Cosmographicus, 1524 (C4v)

With this 4-part movable diagram from Apian’s Cosmographicus, the user can practice a series of complicated calculations, including latitude, the times of sunrise and sunset, the duration of dawn and dusk, and the height of the sun.

Apian, Cosmographicus, 1524 (H4r)

In the center of this complicated volvelle, you can see the thread used to attach the moving parts to the page; in this picture you can see the other side of this leaf and thread.

Apian, Cosmographicus, 1524 (H4v)

In this middle of this page, and obscuring some text, is the string and paper securing the discs of the volvelle on the other side of this leaf.

Apian, Cosmographicus, 1524 (π1r)

This title page for the first edition of Peter Apian's Cosmographicus has been printed in both black and red ink.

Erasmus, Novum Instrumentum, 1516 (3a1r)

The lengthy title provides the primary decorative element of this page. It's also notable that Froben's printer's device is used in place of his name in the imprint, rather than in addition to it.

Erasmus, Novum Instrumentum, 1516 (A1r)

Erasmus's translation of the Bible from Greek into Latin is appropriately presented in two parallel columns. Here, the initial page of his New Testament is set off with woodcut borders; the following pages are plain columns of text.

Erasmus, Novum Instrumentum, 1516 (Ff8r)

The last leaf of this work includes a colophon and printer's device as well as a register for the order of the book's gatherings. You can see that the preliminaries were printed after the rest of the work by how they're signed (aaa, bbb); you can also note that there are two series of double letters and that AA is not the same as Aa.