main printed feature: woodcut

Woodcuts are illustrations printed by carving away areas from a block of wood, leaving the areas standing in relief to print when the block is inked. They were used throughout the hand-press period, and range in artistic quality to crude to elegant.

Aesop, 1750 (E1v)

Although it looks as if it would have been printed earlier, this style of Gothic type and simple woodcuts is characteristic of cheap Dutch printing throughout the 18th century.

Alciati, Emblemata, 1542 (B3v)

The border on this emblem woodblock is broken along the top edge, perhaps because the woodcut was damaged. This emblem served as the basis for the printer's device used in this book and passed down through the Wechel family.

Alciati, Emblemata, 1542 (D5r)

Printed a decade after Alciati's collection of emblems first appeared, this Parisian edition looks very similar to the first: a motto, a picture, and a brief verse. This emblem, "Against Astrologers," warns against the hubris of trying to use the stars to predict the future, unless they fall just as Icarus did for having dared to come too close to God's realm.

Alciati, Emblemata, 1589 (Z5r)

Here we again see the emblem for Alciati's "In astrologos" again with Alciati's Latin text and an illustration of Icarus falling from the heavens. This edition also supplies lengthy commentary from Claude Mignault, also reproduced here.

Alciati, Emblemata, 1661, (2D8v)

In the 1621, a printer in Padua published an edition of the Emblemata that included commentary from a handful of writers---Claude Mignault, Francisco Sanchez de las Brozas, Laurentius Pignorius, and Federicus Morellus---as well as additional emblems. This 1661 edition is a page-for-page reprint of the earlier Tozzi edition, attesting to the volume's popularity.

Anatomical fugitive sheet (1573)

Anatomical studies of figures with movable flaps, like this one, were often printed as single sheets, and have come to be referred to as "fugitive" sheets since they stand alone outside of a fixed codex. This fugitive sheet shows a female figure with flaps that can be lifted to reveal her organs and skeleton. To see the flaps lifted, follow this shelmark link.

Anatomical fugitive sheet, flap 1 (1573)

In this view, with the top flap lifted up, you can see some of the interior organs, including lungs, heart, stomach, and intestines.

Anatomical fugitive sheet, flap 2 (1573)

With the second flap lifted, we can now see a layer of reproductive organs.

Anatomical fugitive sheet, flap 3 (1573)

With the final flap lifted, the figure's skeleton is revealed.

Apian, Cosmographicus, 1524 (π1r)

This title page for the first edition of Peter Apian's Cosmographicus has been printed in both black and red ink.