Boethius, Arithmetica, 1492 (2a1r)

This edition of Boethius uses a title label on the first page of the book to provide a quick identification of the text.

Boethius, Arithmetica, 1492 (2a1v)

The text of this edition begins "Incipiunt duo libri de Arthimetica" but the title of the book is taken not from this phrase, but from the title label on the previous page. The space for the initial letter, like others in this volume, has been left unfilled.

Boethius, Arithmetica, 1492 (2l8r)

On this last leaf of text, the printer has included both a colophon identifying who printed the book and a register of the last words printed on the first four leaves in each gathering of the two-volume set.

Boethius, Arithmetica, 1492 (2l8v)

This printer's device for the brothers Giovanni and Gregorio de' Gregori is on the last page of their Boethius.

Dowland, Second booke of songs, 1600 (A2r)

Dowland's dedicatory letter to the Countess of Bedford follows a layout that mirrors manuscript letters; note that his signature is set in a lowly and humble position at the bottom of the page.

Dowland, Songes, 1597 (L1r)

This page of music was printed so that four musicians could stand around a table sharing the book. The music itself was printed from tiny pieces of metal type, each with the 5 bars of the staff and a note; lined up in a series, the pieces of type formed a series of musical notes.

Dowland, Songes, 1597 (π1r)

A woodcut title page for John Dowland's collection of songs.

Dowland, Songes, 1597 (π2r)

The dedication begins with a large, historiated initial "T", a woodcut depicting a sailboat.

Fletcher, Thierry, 1621 (C1v corr.)

This page shows the corrected version with all of the proofreader's indicated changes on the proofsheet made. This copy of the play provides a useful comparison of this process since a former owner has, unusually, bound in the proofsheet immediately following this correctly printed page (reversing the leaf so that the two versos face each other).

Fletcher, Thierry, 1621 (C1v uncorr.)

This page survives from one of the playbook's original proofsheets. The corrector has written marks down the margin indicating where the text needs to be reset. In the tenth line, the last word is struck out and a "d" for "deleted" is placed in the margin; in the very last line, a caret after "Martell" indicates where the comma needs to be added. If you compare this proof with the corrected version, you'll see the compositor has made the requested changes.