library: Clark Art Institute

Ogilby, Aesop, 1668 (pg. 47)

Ogilby's version of Aesop's Fables uses the margins for extensive annotations.

Ogilby, Aesop, 1668 (pg. 48)

The blank space on this page decisively separates the fable and its moral.

Ogilby, Aesop, 1668 (pl. 18)

Some previous owner has colored in the illustration corresponding to the fable of the Hound and his Master. Perhaps this story was a favorite––no other print in the book was treated to full color.

Ogilby, Aesop, 1668 (plate 18 verso)

The blank verso of the leaf of a hand-colored intaglio print shows where some of the inks have bleed through.