Gadbury, Ephemeris, 1688 (A4v-A5r)

Although many printed almanacs left space for users to add in their own notes, Gadbury here adds in a block of red text labeled "observations" a brief account of recent historical events.

Guyot, Type specimen, 1565

Specimen sheets are used by type-casters to show examples of the fonts they have for sale. This one shows work from François Guyot, a type-caster in Antwerp, and was used to sell his wares in England, as evidenced by the manuscript notes in English secretary hand. Careful sleuthing comparing these typefaces to those used in dated texts and to surviving records from the Plantin printing shop identified Guyot and the likely date of 1565. For more on those details, see this post from the Folger's

Holinshed, Chronicles, 1577, pub. Harrison (¶1r)

In some cases, when a group of publishers together paid for a work to be printed, the work would be printed with different states of the title page, each publisher being named separately. Here, although a group of men collaborated to pay for the publication of Holinshed's Chronicles, this state of the title page lists only Lucas Harrison as the publisher (compare to this copy of the work).

Mattioli, Herbarz, 1562 (fol. CXXXVIr)

A hand-colored illustration of a lettuce plant from a Czech translation of Mattioli's herbal.

Meyerpeck, woodblock

One of the woodblocks carved by Wolfgang Meyerpeck to illustrate this 1562 Czech edition of Mattioli's herbal.

Nostradamus, An almanach, 1562 (fol. 1r)

This almanac gives evidence of two things we don't often get to see: it barely survived and it's covered with manuscript notes from other dates. Although it's hard to discern from just this one image, this is one side of a half of a sheet that was imposed as an octavo (the other images from this sheet can be seen here). The sheet itself was torn along what is here the left edge, probably after it was weakened by years of folding. But even then, the almanac is incomplete, ending in October since the second sheet is now missing.

Nostradamus, An almanach, 1562 (fol. 1v)

Although this almanac is for the year 1562, a user has added notes for a number of later years, including 1581 and 1589, as see here on the blank verso of the title page.

Nostradamus, An almanach, 1562 (fol. 2r)

Unlike later almanacs, this continues one month on after another, rather than giving each month its own page or opening. If you look at the top right page, you'll see the start of January, which continues onto the bottom right page.

Nostradamus, An almanach, 1562 (fol. 2v)

One of the benefits of looking at this unopened sheet is seeing how the use of red ink calls attention to specific dates and moon phases as well as serving to differentiate sections of the text. Our use now of the phrase "red-letter day" comes from the practice of using red ink to indicate festivals, a practice that originated in manuscripts.

Philipott, Aesop, 1666 (sig. 2Q2r)

This bilingual edition privileges the Latin text with the majority of page space, but presents the English version in rhyming verse. Along with the intricate engraving, the different modes may have made this book appealing to people of varying levels of schooling.