Bible, English, 1611 (A1r)

The King James Bible uses a complex typography to signal which words or phrases are not from the source material but have been added in translation (those in roman type), printed notes in roman type for cross referencing between different books, printed notes in italic for translation notes, and headnotes for each chapter providing summaries to help with quick navigation.

Bible, English, 1611 (πA1r)

The title page for the Authorized version of the Bible is completely engraved, including the title and imprint information, by Cornelius Boel, whose name appears in the bottom left of the image. (This version is more commonly known as the King James Bible, since James authorized it to be translated and placed in all churches.)

Bible, Massachuset, 1663 (A1r)

Though not credited, several Indigenous people were involved in the translation and production of the book, including James Printer, the first Indigenous American to work in a print shop. Eliot believed the Masschusett people would be more receptive to conversion if it was presented in their own language. In this way, the Eliot Bible was a physical tool of colonialism: a way to overcome the language barrier so that Indigenous people could receive the colonizer’s values, but not vice versa. On this page, one of the fleurons in the lower right section of the headpiece is upside-down, perhaps an error made in haste.

Bible, Polyglot, 1657 (T1v)

An example of a "polyglot" Bible---a Bible printed in its earliest languages and translations. On this leaf you can see texts in Hebrew, Latin, Greek, and Syriac, each in their own place and separated by hand-drawn red ruling.

Erasmus, Novum Instrumentum, 1516 (3a1r)

The lengthy title provides the primary decorative element of this page. It's also notable that Froben's printer's device is used in place of his name in the imprint, rather than in addition to it.

Erasmus, Novum Instrumentum, 1516 (A1r)

Erasmus's translation of the Bible from Greek into Latin is appropriately presented in two parallel columns. Here, the initial page of his New Testament is set off with woodcut borders; the following pages are plain columns of text.

Erasmus, Novum Instrumentum, 1516 (Ff8r)

The last leaf of this work includes a colophon and printer's device as well as a register for the order of the book's gatherings. You can see that the preliminaries were printed after the rest of the work by how they're signed (aaa, bbb); you can also note that there are two series of double letters and that AA is not the same as Aa.