Alciati, Emblemata, 1589 (Z5r)

Here we again see the emblem for Alciati's "In astrologos" again with Alciati's Latin text and an illustration of Icarus falling from the heavens. This edition also supplies lengthy commentary from Claude Mignault, also reproduced here.

Alciati, Emblemata, 1589 (Z5v)

This dense block of text is only the first page of commentary accompanying Alciati's emblem of "In astrologos," a sharp contrast to the spareness of the first edition.

Alciati, Emblemata, 1661, (2D8v)

In the 1621, a printer in Padua published an edition of the Emblemata that included commentary from a handful of writers---Claude Mignault, Francisco Sanchez de las Brozas, Laurentius Pignorius, and Federicus Morellus---as well as additional emblems. This 1661 edition is a page-for-page reprint of the earlier Tozzi edition, attesting to the volume's popularity.

Bible, Church Slavic, 1581 (fol. 1r)

The opening of Genesis is marked off with an elaborate woodcut headpiece, clearly separating the text of the Bible from the prefatory materials.

Bible, Church Slavic, 1581 (fol. 78v)

The colophon identifies Ivan Fedorov of Moscow as the printer (his device appears just above the colophon) and that it was completed in 1581 on August 12 in Ostroh. Like the text above it, the colophon is in parallel columns of Greek and Church Slavic.

Bible, Church Slavic, 1581 (title page)

The Ostroh Bible is the first complete edition of the Bible printed in Cyrillic, made at the behest of Prince Konstantin Ostrogski.

Bible, Polyglot, 1657 (T1v)

An example of a "polyglot" Bible---a Bible printed in its earliest languages and translations. On this leaf you can see texts in Hebrew, Latin, Greek, and Syriac, each in their own place and separated by hand-drawn red ruling.

Kats, Ma’aseh Toviyah, 1708 (8.4r)

This decorative chapter title showcases several sizes and weights of Hebrew type. The use of both elongated and regular forms of several letters, including ה (he), ת (tav), and ם (final mem), is particularly visible in the triangle of text at the top of the page. Stretching letters with horizontal lines was a common convention in Hebrew printing used to justify lines.

Patousas, Aesop, 1644 (sig. L4v)

A woodcut illustrating Aesop's fable of the fox and the crow, which in this book is printed to face the illustration (you can see the text here).

Patousas, Aesop, 1644 (sig. L5r)

A modern Greek translation of Aesop's fable of the fox and the crow; there is an accompanying illustration on the facing page