Rowe, Laura, 1775 (A1v)

This ad selling letterpress printing to the public appears on the back of a title page; the book lacks an imprint statement, and the shop location given here allows researchers to suggest a time-frame for the book's publication.

Santo Officio da Inquisição de Coimbra, Relacion del auto de fee, 1723 (A1r)

This account of people tried as heretics includes, in place of a printer's device, the device of the Inquisition.

Shakespeare, First Folio, 1623 (nn4v)

The opening of Hamlet in Shakespeare’s First Folio; like the rest of the plays in this book, the start of the play is marked off with a headpiece and an initial letter.

Vincent, Discouerie, 1622 (¶2r)

The author's letter to the subject of his critique is set off with a headpiece and an initial letter. Atpically for English books, the prefatory material is signed with a pilcrow (¶).

Whitney, Choice of emblemes, 1586 (3*2v)

This errata list, squeezed in small font at the bottom of the page, warns that while most of the mistakes were corrected during printing, there are still many leaves that have the errors.

Whitney, Choice of emblemes, 1586 (D2v)

Whitney's book of emblems brought the popular European tradition to English readers. The mise-en-page follows the pattern of many of the early editions of Alciati's Emblemata, expanding the original design of emblem, title, and a brief epigraph to include commentary and references.

Whole Booke of Psalmes, 1640 (*1r)

The Bay Psalm Book, as this work is known, is the first book printed in British North America.

Zumárraga, Doctrina breve, 1544 (a1r)

This title page uses woodcut blocks and pieces of type to create decorative borders surrounding the text presenting the work's title and imprint. Doctrina breve is the first complete work printed in North America, and was printed using type, blocks, and press were brought over to Mexico City from Spain.