Aesop, 1750 (E1v)

Although it looks as if it would have been printed earlier, this style of Gothic type and simple woodcuts is characteristic of cheap Dutch printing throughout the 18th century.

Ames, Typographical antiquities, 1749 ([A]1r)

This title page carefully uses a combination of gothic, roman, black, and red letters to evoke the earlier printing that is its subject while still looking enticingly contemporary.

Apian, Cosmographicus, 1524 (C4v)

With this 4-part movable diagram from Apian’s Cosmographicus, the user can practice a series of complicated calculations, including latitude, the times of sunrise and sunset, the duration of dawn and dusk, and the height of the sun.

Apian, Cosmographicus, 1524 (H4v)

In this middle of this page, and obscuring some text, is the string and paper securing the discs of the volvelle on the other side of this leaf.

Apian, Cosmographicus, 1524 (π1r)

This title page for the first edition of Peter Apian's Cosmographicus has been printed in both black and red ink.

Balbi, Catholicon, 1460 (1r)

One of the first books to be printed, the 1460 Catholicon continues to be surrounded by uncertainty about exactly who made it and what processes were used. Although it was once assumed that Gutenberg printed the book, that is now doubted. And recent theory is that the book was not printed with individual pieces of movable type, but with cast two-line slugs of type, thus explaining the near exact later impressions printed in 1469 and 1472.

Banckes, Herball, 1552 (A1r)

The bulk of this title page is taken up with a long, descriptive title for the work that today we often refer to simply as "Banckes's Herbal."

Banckes, Herball, 1552 (C7r)

This page uses a variety of typographical signals to set off the titles and accounts of the different herbs. From top to bottom you can see a fist, capitulum, fleuron, another fist and capitulum, and an initial letter.

Bible, English, 1611 (A1r)

The King James Bible uses a complex typography to signal which words or phrases are not from the source material but have been added in translation (those in roman type), printed notes in roman type for cross referencing between different books, printed notes in italic for translation notes, and headnotes for each chapter providing summaries to help with quick navigation.

Bijns, Refereyn, 1611 (A1r)

This lengthy title page provides the author's name, imprint and privilege statements, and a description of the book's contents.