Prouisiones cedulas, 1563 (m2r)

Two different styles of the initial letter D can be seen here, the first quite plain and the second floriated.

Ruban, Kratkaia letopis Malaia Rrossiia, 1777 (И5)

The 6 in the headline's 1736 and the 6 in the same date in the third line of the text both are missing the same area of print on the bottom of the number. It can't be the same piece of type, since both 6s need to be in the forme simultaneously. But perhaps the matrix used to cast the 6s in this font didn't have a deep enough strike to cast the number correctly.

Shakespeare, First Folio, 1623 (I2v)

Since this play ends part-way down the page, the remainder of the space is taken up with ruling and a decorative tailpiece.

Theobald, Double Falshood, 1728 (B7v)

At the bottom of this page is the small press figure "3."

Vincent, Discouerie, 1622 (4C1r)

A cancel slip has been pasted over the top coat of arms to correct it; in this copy, the slip is slightly askew, making it easy to spot.

Vincent, Discouerie, 1622 (4O2r)

The main text of this page focuses on genealogy, but the bleed-through of the ink on the verso reveals the presence of printed marginalia that has been pasted over (cf sig 4O2v).

Vincent, Discouerie, 1622 (4O2v)

The cancel slip pasted over one of the marginal notes here is nearly invisible in this digital image. But if you look at the recto of this leaf, you can clearly see the ink bleed-through from the covered up note.

Vincent, Discouerie, 1622 (4O3v)

At first glance, this page looks free from error and correction. But on a closer look, you can see that the last line of text has been added after the main text was printed---the last word of the line is printed over the original catchword and the ink is a slightly different color.

Webster, White Devil, 1631 (F3r)

The blank space at the top of the page, interrupting the headline and the middle of the first seven lines of text, was probably caused by a scrap of paper accidentally getting between the inked type and the blank paper.

Whitney, Choice of emblemes, 1586 (D2v)

Whitney's book of emblems brought the popular European tradition to English readers. The mise-en-page follows the pattern of many of the early editions of Alciati's Emblemata, expanding the original design of emblem, title, and a brief epigraph to include commentary and references.