Dowland, Second booke of songs, 1600 (A2r)

Dowland's dedicatory letter to the Countess of Bedford follows a layout that mirrors manuscript letters; note that his signature is set in a lowly and humble position at the bottom of the page.

Dowland, Songes, 1597 (π2r)

The dedication begins with a large, historiated initial "T", a woodcut depicting a sailboat.

Febrés, Arte de lengua de Chile, 1765 (2A4r)

This page is from a textbook teaching Spanish speakers the Mapuche language, spoken by the Mapuche people of present-day Chile and Argentina. It showcases how type works to transliterate phonemes from a non-Romance language into a Latin alphabet. It is interesting to compare the tildes on the Ñs in the text to the contemporary variety. The book seems to be tightly bound, based on the close cropping on the left side of the image.

Gianicolo, Type specimen, 1529 (recto)

This specimen sheet features only a font of italic type, but in a visually attractive demonstration of its possibilities.

Gučetić, Dialogo della bellezza, 1581 (a1r)

This title page showcases the Ziletti printer’s device, a comet and seven stars with their motto “inter omnes” (“among all”). Here Francesco Ziletti uses the device of his uncle, Giordano Ziletti, but with his own spin -- most noticeably, the inclusion of two upside-down topless women who were not present in Giordano's works.

Guyot, Type specimen, 1565

Specimen sheets are used by type-casters to show examples of the fonts they have for sale. This one shows work from François Guyot, a type-caster in Antwerp, and was used to sell his wares in England, as evidenced by the manuscript notes in English secretary hand. Careful sleuthing comparing these typefaces to those used in dated texts and to surviving records from the Plantin printing shop identified Guyot and the likely date of 1565. For more on those details, see this post from the Folger's

Kats, Ma’aseh Toviyah, 1708 (π1r)

This title page combines both Hebrew and roman type, indicating its origin at a Hebrew print studio in Venice. The main part of the title reads, "Part one of the book of worlds or Ma'aseh Toviyah containing the four worlds. And it is divided into five parts. The first part describes the world above, that is the spiritual world. The second the world of the middle, that is the world of the planets. The third is the lower world that is our world. The fourth is the small world, that is The Man. The fifth in the foundations of the world."

Moxon, Mechanick exercises, 1683 (S4v)

On what would otherwise be a blank page, this advertisement is for similar how-to books.

Ogilby, Aesop, 1668 (pg. 48)

The blank space on this page decisively separates the fable and its moral.

Philipott, Aesop, 1666 (sig. 2Q2r)

This bilingual edition privileges the Latin text with the majority of page space, but presents the English version in rhyming verse. Along with the intricate engraving, the different modes may have made this book appealing to people of varying levels of schooling.