Shakespeare, First Folio, 1623 (I2v)

Since this play ends part-way down the page, the remainder of the space is taken up with ruling and a decorative tailpiece.

Shakespeare, First Folio, 1623 (nn4v)

The opening of Hamlet in Shakespeare’s First Folio; like the rest of the plays in this book, the start of the play is marked off with a headpiece and an initial letter.

Theobald, Double Falshood, 1728 (A2r)

Like that of most English playbooks, this title page indicates where the play was first performed as well as its title and author.

Vincent, Discouerie, 1622 (¶2r)

The author's letter to the subject of his critique is set off with a headpiece and an initial letter. Atpically for English books, the prefatory material is signed with a pilcrow (¶).

Vincent, Discouerie, 1622 (4O2r)

The main text of this page focuses on genealogy, but the bleed-through of the ink on the verso reveals the presence of printed marginalia that has been pasted over (cf sig 4O2v).

Vincent, Discouerie, 1622 (4O2v)

The cancel slip pasted over one of the marginal notes here is nearly invisible in this digital image. But if you look at the recto of this leaf, you can clearly see the ink bleed-through from the covered up note.

Vincent, Discouerie, 1622 (4O3v)

At first glance, this page looks free from error and correction. But on a closer look, you can see that the last line of text has been added after the main text was printed---the last word of the line is printed over the original catchword and the ink is a slightly different color.

Wroth, Urania, 1621 (2o2r)

The start of a new book within this text is marked off with a display typeface providing the title an initial letter.